In Sonido ocre, Blas constructs a symphony of figures where human and animal forms merge into a labyrinth of gazes, wings, and organic symbols. The crowned central visage resonates like the core of the composition, surrounded by birds and spectral presences that evoke both myth and ritual. Ochre tones flood the scene as an elemental vibration, weaving together fragments of earth, sound, and memory. With dripping lines and layered transparencies, Blas emphasizes rhythm and atmosphere, transforming the canvas into a metaphorical score where silence and resonance intertwine.
