In Llena de vacíos, Frida Kahlo is depicted as a wooden mannequin-like figure, supported and tied by green cords manipulated by miniature workers. The composition highlights contradictions between fragility and construction, emptiness and presence, suggesting how cultural icons are built, deconstructed, and endlessly reinterpreted. Vizcaíno fuses irony with reverence, underscoring Kahlo’s symbolic permanence.
